Monday, November 30, 2009

Disturbia: Excerpt from Last Book

A conversation between a father and his daughter about Rihanna, Chris Brown and Domestic Violence...

...So what's up with Chris Brown?
None of your male rappers and Hip Hop artists are willing to stand together against violence on females, so why should he? What's up with Rihanna?
Disturbia!!!

Seriously, dad, what'you think about how everything went down? 'Cause I know you called her a chickenhead for goin' back! But people can be quick to judge until they're in the same position.
Hold on, now. I admit I was disappointed in them both. And you're right. It's easy to point the finger when you haven't been in that same situation.
But?
Well, I just think she had an opportunity to use all that drama not only to her advantage but to make a powerful statement about domestic violence.
What'you mean?
That photo of her beat up that was posted for the entire world to see...
The one the cops leaked out?
Yea. I think she would've gotten her power back if she had used that same photo as her next cd cover and called it 'Bite This', since lil' bruh likes to bite females; with songs about dv and rebirth. She would've gotten world respect, gotten mad grammy's, made Oprah proud, and showed young Black girls, especially, what having a strong sense of self looks and sounds like.
That's dope!
Instead she chose...
Disturbia!!!




Next project: A help guide for and about young african american males with topics from hyper-masculinity, buffoonery and improving the education of Black males to business know-how, sexual and cultural identity, and finding a more wholistic definition of Black manhood. Input from other educators, youth counselors, parents, and the young bruhs themselves are welcomed!!!



You can’t blame the children
for taking the word nigger into their own hands
If you think about it
we took colored
And flipped it to
People of color

You can’t tell a child to stay
out of jail
Not when his life depends
on how well
he cops.





From my book of poems, The Dredlocks Tree

Friday, November 27, 2009

Summer in November - Images V




































































It's getting colder,
now that december's
teasing january...


























...but I remember
that november
reminding me
of spring...
one hundred and
one reasons
to stay,
for every falling
colored leaf...
and me and you
still...

25 Things Blacks Still Don't Wanna Hear...

1. We suffer from internalized racism, religious indoctrination, depression, and denial;

2. We think critical thinking is reading ghetto drama books;

3. We got mad skillz with gadgets but can't relate with one another in a manner that's intimate and real;

4. We don't hold our local leaders accountable, and they only come around during re-election time;

5. We still prefer light-skinned sistas over dark-skinned ones, especially in our music videos;

6. We think wearing locks is a fashion sense when it's supposed to be a poltical statement;

7. We need to walk with a pit bull in order to feel important;

8. We're afraid of telling our young boys (and a few grown ass men) that wearing your pants low enough to show your behind is not only tired but sad;

9. We don't attend parent/teacher conferences;

10. We forget that Obama is still a politician, and therefore can't and won't address our issues as directly and immediately as we'd like him to;

11. We'd rather look good than feel good;

12. We don't see hyper-masculinity as a cry for help;

13. We think the empowerment of sistas means disempowering brothas;

14. We don't support our own photographers and other artists, but get upset when they get love from outsiders;

15. We don't question the contradictions of the Church;

16. We make fun of africentric Blacks to avoid PSP (post-slavery psychosis);

17. We think Reggae and Dancehall music are one in the same;

18. We think street culture is Black culture;

19. We'll buy an $80,000 truck rather than spend $10 on a self-help book;

20. We think ethnic and fly is a contradiction;

21. We stand on street corners because we have nothing productive to offer our neighbors and selves;

22. We celebrate the myth of Langston Hughes, but not the man himself;

23. We'll support a singer who likes urinating on girls to the point where we'll even buy the video, but we think same sex marriage is digusting;

24. There's a war going on between Blacks and niggaz;

25. We can't handle the truth.

Happy Thanksgiving!








Happy
we stole
ur land,
murdered
ur people,
committed
mass genocide
and annihilated
ur culture
day.-- Osunyoyin Alake


Yoyin, as her close friends call her, also gives spiritual readings. Anyone interested can reach her at goddessoflight@gmail.com


Cartoon found by photodocman, Rod Patrick Risbrook (Thanks, man. I'm sure this ain't in our kids' social studies textbooks. But, son, where's the smiling turkey, yo??!!)

Guided, Protected and Thankful


barbara cochran
agnes dera
marco moise
tony boya
steve levin
dr. jean bourand
marie and etienne
bill harmon
mae king
harold
neal
prince
bertrand
maude
sibanye
berdella r. saunders
la madame
coby
shaman
martial

Wednesday, November 25, 2009

When Dumb Wasn't Cool



And remember when dumb wasn't cool? It was the days when Pan-African pride was not only a sign of the times, but just plain good mental health.



You'd walk the 125th Street strip in Harlem and see all the red, black and green; and if that weren't enough to quench your natural thirst you had the mart where there were rented booths that looked more like typical enclaves you would find at any West African market. There was a consciousness back then that pushed for Black solidarity left over from the 70s, innocent of our preoccupation with bling and fluff that was soon to come. We'd say words like peace, my brotha and blessings, my sista, and meant it. It was an exciting period because Malcolm's bright smile and Assata's legendary words--If I hate all Black people, it still won't stop the revolution!--were still cruising the air, while a young music promoter named Sean Combs was just beginning to make a name for himself on The City College campus. Crack, AIDS and gangsta mindset hadn't made their impact on our hoods yet, so Black and Brown children were still smiling. It was a time when Hip Hop was the alternative to Reaganomics--all about self--and not an accomplice, while Run, Jesse, Run! was the latest craze.

But something happened along the way. Black folks began losing their cufis and nat'rals for look-at-me watches and diva wigs. Wearing locks became more of a fashion statement than a politcal one. Greed was now in vogue, followed by Rappers who had plenty to show but nothing to say. Misogyny, too, was making its mark, so much that my six-year-old daughter was banned from watching BET videos. It was a delicate time to be a socially-conscious father, especially when consciousness appeared to be dying. By the time she hit her teen years, the general formula for music videos was flash, cash and half-naked bunnies. Words like cufi, kente, shells, frankincense, and Arrested Development were now taboo. The new cool was flash, ice, weaves, and arrested development! You'd hear young Black males say they were keepin' it real, while Chris Rock's translation was keepin' it real dumb! It placed him on the map for being the Stanley Crouch of comedy. But folks in da hood only got the joke but not the message. They didn't realize he was sounding off the alarm to put the word out that we need to think more critically about ourselves, that our image as a people was in question. In other words, Black America was at a new crossroads. Not just economically and culturally, but fundamentally a war had begun between Blacks and niggaz. Much like the war between gays and queers, but with the added burden of post-slavery psychosis. Because brothas were now dogs; sistas, ho's and a shiny belt buckle was becoming more important than getting a decent gpa. Then Lauryn Hill tried to smack us back into reality by dropping her mic and announcing, I'm done! But ignorance was far too bliss by that time, so we responded by labelling her crazy when all she was trying to do was school us from another angle. Still, dumb got more publicity so she disappeared into reclusion and let Wyclef carry the Fugee banner by himself.

On Saturday mornings I watch the war reach as far as Nigeria when The Africa Channel and BET Africa compete for attention. One pushes culture and ethnic pride while the other pushes the bunnies. It's a contradiction that can confuse your brain cells, if not your sense of Black solidarity. Like seeing a tribe member wear an Obama T-shirt while carrying on like a clown. Makes you wonder where some of us are getting their sustenance. But then it's these same types of contradictions that are being pushed-- dog, pimp, bitch, crib. All of which degrade us as a people yet we defend the right to self-destruct. So while Chuck D back in the days was droppin' knowledge to open up our eyes and minds, now the public enemy was in the mirror, whether we were ready to admit it or not. Some will tell you that calling each other in demeaning ways is merely a form of endearment. But if you take a minute to reflect on that; if you have any African left in you, you can see the psychosis for yourself. Problem is many of us are either too stubborn or too lazy to change our vocab. It's gotten to the point where it's much easier to say nigga than brotha. And walking with a pit bull is still the best crutch to walk with when you don't know who you are, or maybe even afraid to find out.

I was working in a prison when all this was brewing. At the time, getting locked up was still an embarrassment. It wasn't yet a rite of passage for many young Black males, and the police and court officials who exploited the ills. Some blame the prison system for originating sick trends, including young kats wearing their pants low because of the no belt policy behind bars. But in all my years of helping incarcerated brothas reinvent themselves I've never once seen one with his pants so low that it required him to walk like a toddler. Yet today you see young kats--and sadly enough, older ones too-- doin' the toddler so as not to trip and fall, and people don't even flinch over it. They'll give me a fearful, maybe even a disgusted stare whenever I wear my cufi but they won't question self-debasement. It's as if they expect Black males to look dilapidated. And I'm not just talking White folks, I'm talking us. We've become so disentisized by our own demise that it doesn't even phase us when we see our sons looking so grub. As a matter of fact, grub is in, with retailers offering all sorts of shiny new stuff to add to our detriment.

But niggaz don't see it that way. They call it Not givin' a fuk! or keepin' it gangsta to give homage to those Rappers who can't even spell dilapidated, while the rest of the world decides our fate.

So guess what? The City of Dallas, TX has proposed a new ordinance against young men wearing their pants closer to their knees than their waist. Yep, you heard me. They want to make it a crime to look stupid, since we can't figure that sht out on our own! And Louisiana, Georgia and Connecticut are right behind (excuse the pun!). This bizness of waiting for others to do our critical thinking for us has been going on even before we thought jheri curls were cool. And this waiting for a messiah to encourage us to do the obvious has been going on since the first American slave auction. We've become experts in victim mentality but not in coming together, if only for the sake of unity. We don't like unity if it means letting go of dumb trends and picking up instead a book on serious self-reflecting or, God forbid, Black history. Not anymore. We don't listen to what Brotha Crouch keeps trying to tell us. Instead we make fun of his looks as a way of avoiding the work. But how do you avoid something that reveals itself on the faces of our youth and the questionable manner in which they carry themselves? How do you tell a kid that the most gangsta thing he can do is be himself, with so much pressure to stay dumb? What if his self is based on ignorance passed on from one misinformed generation to another, and that he needs trends to help him forget his pains? And what if I don't give a fuk simply means he doesn't expect to see 30?

The answers are hidden within the very thing we've lost respect for-- our old African ways. The same traditions that were ripped from our souls to control our minds. Like how we used to put Shango before paper, the loving way in which fathers would raise their sons, or how my grandmother would squat down to peel potatos. Simple, everyday things that have either become foreign to us or replaced by fast love and fast food.




When we lost that, we lost our sons. Because it's not cash that will bring them back but the notion that, though it's nice to have paper, it's in knowing your glory lives in you and not outside of you that's the real money.

African Albinos and the Bliss of Ignorance


As if skin politics between pan-americans weren't enough of a challenge to both those who struggle with the burden of having to cope and those who still deal with the guilt, we now have to witness yet another type of ism where skin pigmentation, or the lack of it, is the latest battle of the shades pitting African albinos against Africans who may lack compassion but still have their melanin. This actually started a few years back when parents were abandoning their albino babies, caught up in the hype that lack of pigmentation is a curse. But it quickly got even more twisted when witch doctors wanted the children's legs, arms, noses and ears, believing that albinos have mystical powers. And then it gets stupid, with the wealthy buying these body parts as charms. As a result of this bliss of ignorance, thousands of albinos are still in hiding today, including a few hundreds protected by Red Cross. According to Tanzinian stats, albino limbs are being sold by witch docs for $200 and a corpse could go as far as $75,000. It isn't so much the cadaverous vibe of it, but suddenly Tanzania is facing one of its worse periods in history. A slow-stewing genocide that hardly gets reported. Culprits are being arrested and jailed, however; some of them hung. And most likely from pressure from the international community, if not the Internet. But the individuals who are providing the dollars for more albino parts and bodies; the industry that's pushing the bliss still needs to be halted or Red Cross will have to shelter even more innocent children.

We have albinos in Harlem and Bed-Stuy, but we don't call them albinos. We call them Mark, Joanne, Dwayne, and Samantha; and the skin shade issue is irrelevant. That's the difference I see between here and over there. We follow a code of ethics which dictates that though oceans divide us, struggle reminds us, while the dumbfool who kills innocent elephants for their ivory tusks is the same dumbfool who complains about racism.



I don't know if African songster, Salif Keita ever comes to these parents' and hatchet-carrying minds. Or if tourists understand the importance of researching where such charms come from. I'm almost certain--hopeful, at least--that they wouldn't want to bring back a pair of tiny hands that were still learning how to handle a soccer ball. And what is the singer saying about all this? Has anyone even asked him for his thoughts on it? Maybe his voice is what got him over 12? Is he staying silent so as not to cause uninvited attention to himself? And just like here at home where if you wear the wrong color in the wrong hood, you can either get jumped or killed. Is it that same unwritten law over in Tanzania or Burundi where the bliss has spread to? Does he avoid giving concerts in those countries because it's the magic of his voice he wants to share and not his damn body parts? Or do these witch docs find it more valuable to target only child albinos?

I dig Salif's magic! His duet with Cesaria Evora (Yamora/I love you) is still my favorite. When I listen to Salif I don't see albino or missing elephant tusks. I don't even see the contradictions of Black pride. Just beautiful African music the way a good sleeper dreams in colors.

Thursday, November 19, 2009

Typical Times...



The empowerment of females
doesn't have to mean
disempowering males

Feeling good
about our bodies and our selves
is a necessary
Not a gender bender

So why'you so afraid of me?...









From my next book, Throw

Tuesday, November 17, 2009

Church Shows Young SGL's How To Love


We hardly ever hear about Church or Mosque ministers who defy social gravities and show love to marginalized populations. In this case, gay youth or what some africentrics call same gender loving since there's nothing festival about beating up or even worse, murdering those we're afraid of. But a Chicago Church is doing just that-- Ignoring religious barbwires and collaborating with a fraternity to sponsor a dinner, in support of young SGL male couples. The point is not only to show Black folks that religion doesn't have to mean fear and hate, but that young couples--young 'gay' male couples--also need a safe setting to learn how to date and not just how to sex. It's all psychological, really. Because when you see male couples in love and treating one another with care...consideration, you then learn to think beyond what your family, your crew and the general society have taught you about what SGL love is and is not; should be or shouldn't be. So for the younger kat out there who might think that his lovestyle is limited to fluff and puff, this effort from a socially-conscious fraternity and a welcoming church is right on time, even if it's happening to someone else.

The LGBT Center here in NYC does have similar functions, but my Black SGL male students tend to feel out of place there, either because the agenda is eurocentic or they just don't relate to the fem thing. This is what makes this Chicago news news. Because it's a call out for those who want to keep their nubian while still expressing their lovestyle. It's also an opportunity for the frats to teach the young brothas that, though there's nothing wrong with being effeminate, especially since it's the fems who kick down doors to create policies that protect all of us, 'gay' doesn't have to mean picking up habits that make you become a caricature or stereotype. Look at it as a big brother fixing his younger brother's tie, showing him to fend for himself, how to ask a girl out...how to avoid touble dudes. It's the same concept. Same expectation, if you consider saving all our young males an expectation.

The theme of this dinner is tagged My Boyfriend and Me. It's to take place at the Fellowship Hall of Hyde Park Union Church on Friday, November 20th. The sponsoring fraternity is Youth Pride Service's Omega Sigma Theta and their contact phone number for details is (703)382-0511.

Hopefully, other fraternities and sororities, along with other churches who actually follow Jesus' philosophy will take this as a call for similar action in their own cities and communities, to the point where a high school principal considers it part of the curriculum.

Put it this way. When our youth SEE love, they know it's possible to love; and when the Church opens her arms, not to convert but simply to show support, these same young men SEE God and therefore know it's ok to pray!

Sunday, November 15, 2009

New Haitian American Writers Group

Just started a Haitian American Writers Group to see if maybe fugees in the New York City area might be interested in helping each other edit our works, get published and meet periodically to build together to help define what Haitian American literature is and isn't before someone else does it for us. Those who are interested can contact me directly at lifejak@aol.com or on Facebook where I'm also putting the word out. Gender, age, education, political views, religious or sexual standing not an issue. Just have something to say about being of Haitian descent and a passion for pan-african solidarity. Of course, knowing your griyo wouldn't hurt!

Friday, November 13, 2009

What Your History Teacher Ain't Telling

Inventions by Blacks

Cell phone chip Henry T. Sampson 7/6/1971
Air conditioner Fredrick M. Jones 7/12/1949
Bicycle frame L.R. Johnson 10/10/1899
Clothes dryer G.T. Sampson 6/6/1862
Curtain rod S.R. Scratton 11/30/1889
Door knob O. Dorsey 12/10/1878
Eggbeater Willie Johnson 2/5/1884
Light bulb Lewis Latimer 3/21/1882
Elevator Alexander Miles 10/11/1867
Fire escape J.W. Winters 5/7/1878
Fire extinguisher T. Marshall 10/26/1872
Fountain pen W.B. Purvis 1/7/1890
Gas mask Garrett Morgan 10/13/1914
Golf tee T. Grant 12/12/1899
Guitar Robert F. Flemming, Jr. 3/3/1886
Horse shoe J. Ricks 3/30/1885
Ice cream scooper A.L. Cralle 2/2/1897
Key Chain J. Loudin 1/9/1894
Lantern Michael C. Harve 8/19/1884
Lawn mower L.A. Burr 5/19/1884
Lock W.A. Martin 7/23/1800’s
Mailbox Paul L. Downing 10/27/1891
Motor Frederick M. Jones 6/27/1939
Peanut butter George W. Carver circa 1896
Pencil sharpener J.L. Love 11/23/1897
Refrigerator J. Standard 6/14/1891
Sprinkler W. Smith 5/4/1897
Stove T.A. Carrington 7/25/1876
Thermostat syst. Frederick M. Jones 2/23/1960
Traffic light M.A. Cherry 5/6/1886
Watch Benjamin Banneker circa 1700’s

When you know you come from brillance, you don't walk around wearing your pants low enough to show your drawers, no matter who says it's cool, because the best in you knows that dumbing down isn't cool and isn't supposed to be US!!!

Monday, November 9, 2009

25 Things Blacks Don't Wanna Hear....Again

1. We'd rather laugh at the comedy of Chris Rock's film, Good Hair rather than take the time to examine why we still consider 'good hair' as being straight and long;

2. We make fortunes off our buffoonery and vulgarity, and call it music;

3. We'd rather call each other nigga than brotha;

4. We allow our athletes to showcase their mansions and expensive cars without expecting them to give back to the Community and stand for something;

5. We still prefer light-skinned sistas over dark-skinned ones, especially in our music videos;

6. We don't give Solange Knowles--the one with depth--props for doing away with the wig and weave thing to show young Black girls that you don't need accessories to look and feel beautiful;

7. We need to walk with a pit bull in order to feel important;

8. We're afraid of telling our young boys (and a few grown ass men) that wearing your pants low enough to show your behind is not only tired but sad;

9. We don't attend parent/teacher conferences;

10. Our public school system fails our children, especially our males and yet we still expect positive results;

11. We'd rather look good than feel good;

12. We think therapy means using a skin exfoliator;

13. We refuse to let go our wigs and weaves because we love White people more than we love ourselves;

14. We forget that the male version of a relaxer is a texturizer, and that brothas too have issues with their hair texture;

15. We don't question the contradictions of the Church;

16. We make fun of africentric Blacks to avoid our psychosis;

17. We don't know what post-slavery psychosis means, but we act it out every day;

18. We think street culture is Black culture;

19. We'll buy an $80,000 truck rather than spend $10 on a self-help book;

20. We think ethnic and fly is a contradiction;

21. We dis Blacks from other countries, out of pure ignorance and competition;

22. We celebrate the myth of Langston Hughes, but not the man himself;

23. We'll support a singer who likes urinating on girls to the point where we'll even buy the video, but we think same sex marriage is digusting;

24. We suffer from internalized racism, religious indoctrination, depression, and denial;

25. We can't handle the truth.

Bang Bang, I'm Dead!

I am a Black man. I am not allowed to love. I can sex up, dribble a ball, roll dice, and talk smack. But I do not have the luxury of expressing myself in a way that makes me a whole human being. I am merely fragments of myself, longing for emotional rescue from the hands that prevent me from becoming an individual. I do not yet know my name, though there are several words to describe me— buck, stud, mack, nigga; and dog, thug, boy, nigga. Words that limit my voice and movement, and help shape the contours of my masculinity. I am the new version of Ralph Ellison’s Invisible Man, disheveled and exposed for the sole convenience of the media and anglo-centered research whose face is lost in exaggerated stats. I am brilliant only in my swagger but arrogant when I attempt to defy my confinement. I am not even allowed to love my brother. A burden I manage to turn into an art form, if not everyday habit. I am forced, however, to love strangers who keep me chained to their perceptions of me. For my reverence is not necessarily in how I survive my struggles but in the things I never say; things I am not permitted to say. I am hood. I am not hood. I am somewhere between what I think I am and who I long to be. I am everyone’s terror. I am everyone’s sexual objectification. It all depends on how much I tell my mirror when no one is around to judge or stifle me. I am resilient, yes, but not afforded the right to reinvent myself in a manner that reveals my true nature. I do not have a true nature. I do, of course. But it is practically illegal for me to be a man when bombarded with both the sexual obsessions of racist White folk and the buffoonery that comes with confusing street culture for Black pride. These generational attacks infest my natural ability to walk on air, since I am so much more than the caricatures that bind me and far more nurturing than even my sister credits me with. For she loves the possibility of me, but not me. She made that clear when I was but a child, not yet proficient in the language of silence and withdrawing, when she chastised me for crying. She said what everyone tells me, Man up or be ridiculed; sometimes given away. And so I man up, even if it means suppressing my right to simply be; to abide by her standards and unrealistic expectations which in turn helps determine how distant I am with my son whose own tendency to avoid any form of intimacy is a result of my futile attempt to please her, if not reach her. So we both man up to avoid the rejection and total castration, placing video games and gangster mentality over real fatherly connection. The kind of closeness that is expected from all other fathers, except me— the americanized Black man, conditioned to think with his gun and not his heart. Sons do not sit on their fathers’ lap. They do in Cuba. Sons do not kiss their fathers hello. They do in Europe. Sons are not held by their fathers. They are in Africa. And sons do not answer back I love you to their fathers. Not cool. Not manly. Not brolic. Not nigga at all.

I am a Black man. An enigma of sorts, basking on the stage of an elaborate play and all the while not knowing for sure where to stand and how to stand it. I can recite lines from an incorrigible Rapper and fulfill the prophecies of the deadbeat father, but I am discouraged from seeing my life beyond the hype. New terminologies give way to new dichotomies— a baldie, a fade, a shape up, locks and waves, cornrow, caesar, locks. Words that typically define barbershop conversation yet offer no solutions to community denials. To some, I am still the sleeping giant. To others, I am merely in the way; and I pretend to know the difference. If I come to resolving my disposition; if I am given the right to reveal who I am behind the masks then settle it as I see fit, then I would feel safe enough to say that I, too, love and that I cherish the hands that do not exploit me but, rather, provide me with the kind of hold that fully celebrates me. For I am the focal point of discussion at every state of our union and still, my Family refuses to see me. I am divided. I am divided between fleeing into the arms of outsiders who are willing to help me discover my true self and fulfilling the illusions of the very people who named me.

I am a Black man. I am not allowed to love. Just trucks and saddle, and bang bang, I’m dead!

Priceless!

The best gift from my Before You Fly Off project was when a group of fly girls huddled together to read my book, saying things like Yep, that's so true!...No, he didn't say that!...Why don't they have books like this in school?...They need to let the boys read this too!!!!...

I let go of some good guvament money when I left my phd program. On a mere hunch that I'd be happier writing their story instead of somebody else's. And when them girls showed me all that love, I knew I was on my divine path! I might revisit the doctoral gig. But in the meantime, I'm enjoying writing for and about hard to reach populations such as these here young ladies who do want an education and stable life, but don't quite fit the formula handed to them. When we offer alternatives to youth that work for them and not against them, they give back to us not only stable and constructive lives but smiles that are simply priceless!!!

Who Did It?

Folks been asking who did the cover of my latest book. It's photojournalist, Ocean Morisset. A self-taught Haitian American photographer, he's travelled to such places as Cuba, the Southwest, Central America and Haiti to bring back the stories we often don't get to hear about; much less, see. Of course, he also tells the various stories of New York City whether it's a young Black father feeding his newborn on a subway train or Central Park's colorful transition from summer to autumn.

He's also the only artist I know who can make a simple photo of a rusted nail look like a friendly cat!!! Checkout his work by visiting http://omorisset.myexpose.com and look for his first photo collection this Christmas.


p.s.-- I actually took this shot of Morisset while visiting fellow writer and friend, Jason Trask up in Maine. I'm better with words, but every once in a while I show my own cam skillz!!!....Peace and gratitude, everyone.

Texturizer: The Manly Way to Be As Pretty

Since we've been picking on da sistas who still like to strut their wigs and weaves, no matter what Chris Rock says, I figure I'd remind everyone that the lesson cuts both ways...




























And one of my sistafriends, Michele Luc--a/k/a urban workshop guru--reminded me of the Du-rag or as she puts it, the poor man's hair straightener.













Whether it's a dude in prison or an upper-crust bruh, the difference being...


...one's social status dictating if it's acceptable to rock it in public...

...or at home where only those in the know can see you,...

...sporting a du-rag to create waves in your hair is yet another form of self-degradation....

...That's if you even consider wearing a du-rag a negative, since du-rags also keep the braids tight...


...But you think sistas freak out when they have to give up their wigs or do without their weave?...

...See how a brotha acts if he thinks one hair is out of place after he's kept it under wraps with Dax and a rag all night!!!...

...He'll keep brushing that shit back in place! Then keep the brush in his back pocket for later...

...when his natural tries to come up for air!

The Things We Do


Nod a frown
Sneak a handshake
Tone it down
Shine it up
Make it look like you safe and won't bite

Keep to your desk
Here's a garden
Teach the children
But stick to the part about the pretty flowers

Nod a frown
Sneak a handshake
Act like you know
Pretend you enjoy it
Don't ask too many questions
Gerbles run wheels
They don't ask questions

Nod a frown
Sneak a handshake
Show solidarity
But don't express it
Tell on the brotha
But leave him a spare
Sometimes show your ass
But always keep a spare

Nod a frown
Sneak a handshake
Make that homerun
But act like you know

Nod a frown
Sneak a handshake

Nothing yet
But I'll see you at the meeting.

The Things We Do II - Sammy Sosa

...And then sometimes there's really nothing to tell except let out a sigh of disappointment and quietly say to yourself, with a slow shaking of the head, "The things we do to feel better about ourselves...."

Racismo-- Let's Talk About It

I was reporting for jury duty and doing what every would-be juror does before being interviewed-- waiting; waiting for my name to be called, waiting for the badges to decide which group goes on which floor, waiting to get cell phone signal again just so I could call my baby and complain some more about process and procedure. But why I'm sharing this with you is less about the modus operandi of picking jurors, but more about what can happen when complete strangers are put together in one room, or in this case a courthouse corridor. See, this Dominican woman had been bullying one of the vending machines into dropping the bag of chips she had bought adroitely enough for her to reach down and take it. It had somehow gotten stuck between the metal coil that held it, to begin with, and it was hanging loosely yet seemingly too stubborn to release itself. So this sista was doing everything she could to get her chips. She even tried getting her coins back but her quarters weren't stuck. They were secured, as in the case of so many quarters in city pay phones that suspiciously make the dive but miss the call. I fully understood her frustration; and I would've made an attempt to negotiate with the machine on her behalf, had the security guard hadn't called my name. So as I walked away I made a kind of hand gesture to her. The kind of offering one makes when you want to help but for whatever the reason or situation, you just can't right there and then. I even made my face look apologetic, because getting played by a vending machine is a common thing. We've all been there. Banging on the glass or kicking its legs so its arms can let go of the yummy. Some of us have even gotten gangsta about it and just picked up the damn thing, though I have a more sophisticated way of going about it. But that's another scoop. I want to tell you what happened as the White guard--and there's a reason why I'm naming the color--began escorting me into the interview room. She called me the N word for not helping her; and she made sure not to roll her 'r'! She sent it like a dagger, quick and direct like my name was on it from way past. At least it felt that way because her eyes were full of hatred for the color of my skin and perhaps the red, black and green that I was sporting on my head.

Now, let's put this in its proper context since a Latina calling a Black man nigger is the kind of racismo we hardly talk about yet experience it every day, be it at a courthouse or bodega or in a classroom or an elevator, or in the bedroom, even. Because loving Black dik and not necessarily the man behind the dik is yet another form of racism, if not the worse kind. But the saddest kind is when Brown disses Black in front of White, knowing fully well that there wouldn't be a conga without the African. There wouldn't be sugar without the African. There wouldn't be healthy new Latino babies without that nigger midwife. No Celia Cruz, Tito Puente, Hector Lavoe; no Fat Joe, Big Pun, J-Lo, Selma Hayek, Ricky Martin, Shakira, Selena, Lumidee; no Julio freakin Iglesias, Jr. trying to bring sexy back, and definitely no Reggaeton without the Black! So why would Brown dis the very person who taught her how to fight? Because like every one else, she bought into the hype that Black is not to be respected, especially American Black. This bizness of hating the one you admire the most is merely an extension of White on Black racism that many Latinos and Hispanics have adopted, either by their parents and grandparents or the media itself. And we should make the comparison between Latino and Hispanic, by the way, in order to understand how these labels are used for their convenience and to our detriment.

According to Random House dictionary, a Latino is a person of Spanish-speaking descent, specifically from California while an Hispanic, also a person of Spanish-speaking descent, represents regions like Texas and Florida; and that the term Hispanic, to Latinos, is often considered offensive. Now, that's the anglo definition; and we already know what happens when an ousider comes to your home and starts telling you who you are and where you should put your furniture! But here's our definition. Here's how it feels to Black folks, in general--

Latino means closer to anglo and Hispanic means closer to us, as in Hispaniola; as in the island shared by Haiti and the Dominican Republic. If you pay enough attention, you'll notice the tendency of both Latinos and Hispanics to prefer anglo over nubian, and how this plays out in social interactions, though they're usually less overt about it, prefering to keep it only for dinner table convo. It's a vibe you get when you walk into a room. A look that tells you they've already attached a hundred assumptions onto you by the mere shade of your skin. The very same assumptions that were placed on them by Europeans before their native tongues and names were taken from them. Much like us, but without the burden of having an even darker complexion. Sometimes they'll slip up and say things like, You don't look Black or You could pass for Dominican, and you walk away thinking you're a better Black. That's how tragic skin color politics can be. It's yet another form of post-slavery psychosis that plays out in our everyday lives, whether we're conscious of it or not. We had a saying in high school. Hispanics are Black when it comes to a street fight and White when it comes to politics. In other words, depending on skin shade, our Spanish-speaking cousins play both sides of the field. Black when they need us, White when they see an opportunity for advancement. How they balance this dance is actually quite ingenious. It takes skills to know how to pass one paperbag test while ducking another. Remember when they voted for Bush like he was their Obama? That was the Spaniard in them talking. And after Bush fucked them over with his immigration laws they decided to let their African be by betting on Black eight years later, and this time they ducked the gringo instead!

It's not as complex as it sounds, though. As a matter of fact, it really comes down to basic survival skills. In kindergarten terms, let's say, for example, that orange people have all the power and that the System dictates that everyone look orange and subscribe to orange customs. Those who aren't orange will do whatever they can to at least be orange-like so they can be accepted. Those who are just too off to be validated can put on orange peels to try to pass, while the rest dream of being orange! You feel what I'm saying? Whether it's having to master a color code, partake in cross-dressing or hide behind down low behavior, people have a natural desire to pass. Because no one wants to be the odd man out. No one wants to be Black.

I dated an Equadorian once. Her family was cool with me until they found out we were a couple. She was forced to split with me because their message to her was clear-- You marry up, not down (marriage wasn't on my mind, but I got the point!).

Look, I don't mean to turn this into a social science course. But it's important for Black folks to understand how racism works and not just how it feels, so that we can cope with it, if not overcome it. So here's a quick overview on why that Dominican sista felt she had a right to call me out my name:

1. Europeans don't necessarily get along, but one thing that kept them united before the Euro was the slave trade, and the gold and other natural resources that came with that;

2. Hundreds of years of indoctrinating Tainos and other native americans, from the cutting off of noses and testicles, and forced abortions to establishing color codes where light was right and black, get back;

3. The separation of Blacks to one side of Hispaniola (Haiti) and Browns to the other (DR);

4. Extending the color code across the Caribbean and onto the mainland (U.S.), so that light-skinned Blacks feel superior to dark-skinned Blacks and, thus, introducing the good hair/bad hair syndrome;

5. The deliberate dismissal of inventions and other contributions by Blacks to give the appearance that we're nothing but freed slaves;

6. Pushing the image of Latinos or Hispanics as only light-complexioned Spanish-speaking people, while ignoring the reality that Brown comes in different shades;

7. Viewing anything that celebrates Black pride, as in the wearing of a red, black and green cufi, as a sign of terrorism
.

So this is what this obviously disturbed woman threw at me. Generations of miseducation made to give her and those like her a false sense of pride. It was bad enough that the White guard and other would-be jurors had to witness post-slavery psychosis at its near best (the best is when brothas call each other nigga and dog), but what hurt me was that in all my 48 years on this plane I've never been called nigger by a White person. Not to my face, at least. That it took my own kind to make me feel like I didn't belong in my own country cut right thru my soul, particularly since I take pan-african solidarity to heart. Still, we were both in a courthouse. Not the kind of place any Black man wants to show his ass! And while I couldn't help calling her pendera--I made sure to roll my 'r'--I took the Sidney Poitier route by showing my class instead and removed myself from her sphere altogether.

Here's the good news. The new generation of Browns are rejecting the racismo fed to them when they were children. That old, tired feud between Dominicans and Puerto Ricans is over. Everyone eats platanos now! And hermanos like George Lopez are openly discussing the racismo that's never talked about, Reggaeton (a mixure of Reggae and Salsa) is the latest musical trend, New York's Sen. Ruben Diaz' dark skin didn't stop his voters from supporting him, and Platanos and Collard Greens (a love story between an African American and a Latina) is still a hit play.

Here's the bad news. Racismo is still alive and thriving. Just take a look at Latino TV shows. The actors don't even look Caribbean or Central American, but more like Spaniards. The image of the professional Latino or Hispanic siren is almost always anglo-looking. Employers prefer hiring lighter-skinned Latinos versus darker-skinned Hispanics. The American Southwest is still shy about the role of Blacks in their history books. And if you visit Miami; if you're a dark-comlexioned person, especially male, visiting Miami, Florida you're often greeted with discouraging looks by pseudo-White Spanish-speaking folks, rude waiters and taxi drivers who take after Manhattan yellow cab drivers when it comes to passing over Black waving hands. It's not until you're in Little Haiti that you get love.

How we get rid of Brown race-ism is the same way we do away with White racist behavior. We start with the school system, by telling the truth about what went down with the Nina, the Pinta and the Santa Maria. We tell little Brown boys and girls the atrocities Christopher Columbus committed in the name of providing Spain gold and human bondage. We explain how native American, Spaniard and African created the beautiful combo called Hispanic and not place either of the three DNA's over one another. You teach them that Brown music is not the only place where Africa is to be given her props, and to honor the wide nose and full lips if that's what you see in the mirror; that it's beautiful, not a curse. And you tell them too that marrying up is liking the one you love and that marrying down is sleeping with someone you don't respect. Otherwise it's not pride nor power. Just the illusion of pride and power. Like making fun of someone you haven't even met yet.

Sunday, November 1, 2009

My Two Ladies


Writers are critical enough of one another and themselves, so when they show another writer love, that's a major deal and not simply a compliment. For example, Nelson Mandela read Maya Angelou while he was imprisoned; Sidney Poitier read Langston Hughes when he was learning how to perfect his acting skills; James Baldwin read Richard Wright before becoming our beloved Jimmy; Amiri Baraka read Sonia Sanchez; and Dr. Brenda Greene, founder of National Black Writers Conference, gets lifted by the words of Toni Morisson. My main nourishment comes from the cultural critic and often times acerbic Stanley Crouch who pulls no punches when it comes to forcing American Blacks to look at our sht, smell it, taste it, so we can admit our shortcomings and then do something about them. But my two favorite writers are two women who have helped shape my attitude about us as a people and myself. My two ladies, as I like to call them, have actually helped me become a well-rounded man; a critical-thinking, emotionally present and socially-conscious Black man unimpressed by trends and religious indoctrination. Artistically and affectionately, they are my sisters. Their words and energies encourage me to be the kind of male who sees Black woman power as a necessary and not as a burden; to use my words to not only inform, enlighten and, in the best outcome, inspire, but to also heal myself of my demons, since it's our demons (fear, doubt, regret, impediment, abandonment, loss) that dictate who we are, what we write about and how we love.



I first met Staceyann Chin at a gay rally in New York City back in '03. An Irish lesbian friend of mine had invited me to join her. At first I declined, assuming gay rally meant drag queens and effeminate men prancing around Bryant Park in hot pants and loud colors, with attitude to match. The kind of posturing my fashion-proned daughter calls fierce but that I tag vociferous!!! Still, I gave in. Or, rather, she dared me to step out of my comfort zone to come learn something. It was a typical hot summer day and I showed up on the crowded lawn wearing a sweatshirt and jacket, dark shades and my old fisherman's hat. My friend had no trouble picking me out of the multitude and just grinned, satisfied that I had kept a promise. And to my surprise, there were no drag queens, no boy toys, no scenes. Just regular folk--mostly White--sitting on sheets and listening to the speakers who turned out to be community acitivists, parents, city councilmembers and other professionals. My friend asked me if I was hot with all I had on, but I played it off with a "I'm good", though beads of sweat were telling on me. I think I took my shades off once to wipe my face; and that's when I noticed these tennis shoes pressing down on a patch of green. My eyes connected the dots. From grass to flat shoes to beige khakis up to a firm-looking behind to a sheer burgundy blouse to all this hair surrounding a face with bright yet potentially scolding eyes, and a smile. The kind of smile one makes when you want to show pity. She said, "It's not that serious, my brotha!" And like that, she disarmed me, as she does so many. I took the shades and hat off, but soon after she was gone only to re-appear on stage where she fucked the audience with her usual pontification; instigating, tearing apart and putting back together, all the while thrilling us and filling me with a sense of joy and purpose I had never experienced from a writer before. And it took Ireland to get me there!

Since then I've been captivated by Staceyann Chin's writing, poetry slams and convos on BET's My Two Cents show where she not only stands out but often comes off like a frustrated bird of paradise stuck in a 30-minute cage and between two hosts who basically want to keep things on the surface, which if you know Staceyann at all you know that safe talk and quick fixes just don't work for her. You've got to do away with the bandaids, she'll tell you, and dig in that wound until all the crap is completely out and ready for cleansing. Or else you're not doing the work. You're not healing. And you're not living. Just taking space. And if that suits you, get the fuck out the way and go sit in a corner somewhere and watch how it's done!

She screamed her lungs out recently at the Gay Rights March, telling our President that she and her posse of thousands are watching his ass to make sure he keeps his own promise. And just the other night I went to see her at Harlem's Schomburg Center where she and fellow Carib writers, Anton Nimblette and Curu Necos-Bloice read their latest works. The brothers were strong, but Stacyann's natural flow with performing arts tends to make her stand out more and shake an entire room. It's her hands. She reads with her hands. And when she's at the brink of driving her point thru she leans forward, her fingers wickedly hanging off her lips, as if she's in the middle of eating a juicy piece of guava, then either saves you or rattles you with her honesty.


Now, if Stacyann Chin is the one to pull the alarm lever while the rest of us make excuses for avoiding and denying, Edwidge Danticat paints the stories of the Haiti she left behind when she migrated to the States. Whether it's a cast of familiar characters she grew up knowing or recording Haitian folklore, Danticat's art reflects an under-represented people with a history of determination and stamina. But we know this already. Or at least most of us know by now that Haitians were the first free Blacks on this side of the planet. By taking the white out of our red and blue, we forced the French to keep to their own shores and as punishment they took all the money and gold, leaving Haiti or more acurately Ayiti in chaos and destitute. Some of us even know that it was Ayiti who taught Latinos how to fight. But what Danticat writes about is how a people with such a proud yet complicated past and disposition can manage to still create beautiful colors on canvas. This is the true essence of making something out of nothing. And no one writes about beautiful pain like Edwidge Danticat. Her words connected by butterflies flutter in and out of testimonies, reach over the yellows and oranges and corals of the hibiscus to get to the buried, to the talking bones, and then back up again to give voice to the ones who came before us and those who are waiting their turn.

I first met Edwidge at the Haitian American Writers Guild. We were both members of a small group of early 90s fugee writers, but we knew she was the star. Had my father not instilled in me an appreciation for remakable women, I would have been intimidated by her presence and supernatural words. It wasn't too long after that when she pulled Breath, Eyes and Memory out of one of her braids and made Oprah's best reads list. To the rest of the world, it was an extraordinary literary debut. But for us it was overdue; practically predicted by the resilience of the Haitian children, the leftover burnt trees that their parents use as fuel to cook with, their hands tempered by customs too complex/too simple to comprehend, and Danticat's own hands waving goodbye from her airplane window. She must have told herself that her legacy would be forever bound to the struggles of her people, our people. And so she went on to translating for us the many different stuggles she grew up sketching in her mind; translating stubborn flowers into an art form. Anything to help us reclaim our selves, if not our island's glory.

I recently ran into Danticat at the Brooklyn Book Festival where she was one of the honorees, no doubt. She had her husband and daughter with her, and he blessed me with a photo shot of her and me for posting. It was one of those reunions where both of us understood the meaning of such a not so accidental crossing of paths and the belief that all God's children indeed have tavelling shoes!!!



I used to say, When I grow up I wanna write like Edwidge Danticat! But then sea goddesses swim alone. Not without. Just alone.